On this page, three windows which grace the burgh of Irvine
The tree and the river in Irvine Old Parish Church
The 175th anniversary of Irvine Burns Club
The window at St Mary's Church hall
Finding comfort in the Bible at a time of crisis, Robert Burns wrote a verse paraphrase of the 1st Psalm, which describes the righteous man as "like a tree planted by the rivers of water". The stone at lower left bears the first three verses of his paraphrase.
The setting is the Scottish landscape - the tree growing beside a stream, "clear as crystal" (Rev. 22, 1); the image of "a falling crystal stream" is one to which the poet frequently returned.
The artist, Susan Bradbury, FMGP, first came to Ayrshire as Irvine New Town artist in 1981, and works, both on new commissions such as for the Ayrshire Hospice and RAF Lossiemouth, and on restoring old stained glass. She was delighted to be invited to create this window for the Parish Church of the town which was so important at the start of her career.
Susan chose the colours of autumn - green, gold and brown - the warm golden-orange of a bracken-covered hillside, the grey-gold mixes of lichens on stonework. The gold links visually to the golden cornfields in the neighbouring Ruth and Boaz window to the left. The blue sky creates a positive sunny atmosphere, and provides a link with the Trades window to the right. The sparkle in the stream is achieved by differing textures of clear glass, and the sunlight through the leaves by differing degrees of acid-etching of the top green layer of the special glass used here.
The stream and tree are also the River of Life and the Tree of Life of Rev. 22 (1-2, 14,17); it "bare twelve manner of fruits"; the artist has chosen grapes, a pomegranate, fig, orange, lemon, olive, date, apple, pear, cherries, plums and hazelnuts. "The leaves of the tree were for the healing of the nations" makes us recall Burns' expression of brotherhood in " A man's a man for a' that".
Burns twice referred to Rev. 7, 15-17, which promises a much better life in the hereafter. The Lamb at the throne of God will lead those that serve God "unto living fountains of waters: and God shall wipe away all tears from their eyes". The 22-year old Robert told his father how these verses inspired him, and, nine years later, in a letter to Peter Hill, his Edinburgh agent and friend, he wrote that, if he could, he would "wipe away all tears from all eyes". These verses are on the stone at lower right.
The stone tablets, with their balancing Old and New Testament texts, could be the golden gates of the entrance to heaven (Rev. 22,14: "Blessed are they that do His commandments, that they may have right to the Tree of Life, and may enter in through the gates to the city"); they could also be standing stones forming an invitation to walk righteously by a crystal stream.
The window thus combines rich visual images of the natural world with symbolic links to beautiful passages of Scripture and to the life and works of Robert Burns.
The man, in life wherever plac'd,
Hath happiness in store,
Who walks not in the wicked's way
Nor learns their guilty lore!
Nor from the seat of scornful pride
Casts forth his eyes abroad,
But with humility and awe
Still walks before his God!
That man shall flourish like the trees,
Which by the streamlets grow:
The fruitful top is spread on high,
And firm the root below.
15 Therefore are they before the throne of God, and serve him day and night in his temple: and he that sitteth on the throne shall dwell among them.
16 They shall hunger no more, neither thirst any more; neither shall the sun light on them, nor any heat.
17 For the lamb which is in the midst of the throne shall feed them, and shall lead them unto living fountains of waters: and God shall wipe away all tears from their eyes.
This stained glass tribute to the founding of Irvine Burns Club in 1826, is positioned in one of the windows of the Music Room in the Wellwood Burns Centre & Museum.
Created by Ayrshire stained glass artist Paul Lucky, the window tells the story of the time Robert Burns spent in Irvine, where he made new friends and, more importantly, first had the idea of publishing his work. It contains, among its many components, facsimiles of original 1786 manuscripts held by the Club, the blue flowers of the flax trade that brought him to the town, and a map of Irvine at that time.
It also highlights the esteem in which he was still held 45 years later by people who had known him, that they resolved to establish a Burns Club in his honour.
was presented to St Mary's Church by Irvine Burns Club, in the year of office of Fr W Boyd as President of Irvine Burns Club 2004-05. The window decorates the front gable of the new church hall, built in 2004.
The Stained Glass Window tells the story of St. Mary’s Church in 2004. Around the circumference of the window are “the people of God”, the men, women and children who, according to the teaching of the Second Vatican Council, constitute “the Church”. In the centre of the window is the church building which is dedicated to Our Lady, whose statue stands above what, until now, has been the main entrance to the building.
St. Mary’s, with its neighbour, the Mure Church, is situated on a rise overlooking two notable landmarks in the town centre, the Low Green with the River Irvine running through it. These are depicted immediately below the church.
The river flows towards the Firth of Clyde, passing Irvine Harbour, originally a thriving port - source of Irvine’s trade and commerce, leading to the growth of modern Irvine. The historic importance of the Firth of Clyde is recognised by the broad expanse of water beside the river.
Above the church, rays of sunshine warming the earth are to be seen. These rays symbolise the grace of God continually shining upon the town and parish, bringing forth new life in each generation.
The window was designed by Gail Muir of the Lighthouse Glass Company in accordance with a narrative submitted by St. Mary’s Hall Project Team. The parish community is profoundly grateful to Gail and to the Irvine Burns Club.